On the old He-Man and the Masters of the Universe cartoon show, the small, hovering wizard called Orko—the comic-relief sidekick to the muscle-bound warriors—never revealed his face. Floating in a red robe, with no discernible limbs below his torso, his head was covered by a large, floppy, pointed hat, through which his pointed ears protruded. If he had a mouth or nose, it was wrapped in a cloth or scarf of some sort. All one could ever see of Orko’s face was his eyes and total blackness.
I remember distinctly an episode in which Orko, a member of the species known as Trollans, fell in love with another member of his own kind, and the audience learns that Trollans had a custom for expressing deep affection: they revealed to each other their uncovered faces. In private, they would take off their hats, unwrap their scarves, and give the greatest gift of intimacy of which they were capable, to allow their true face to be seen by the one they loved.
So Orko would loyally, courageously, and selflessly fight the most perilous evils alongside He-Man and his Eternian compatriots, but they would never be allowed to see their friend’s face. That was for Orko to save for a time, place, and person of his choosing.
I loved that.
My preferred day-to-day uniform, assuming the temperature suits it, consists of a T-shirt, jeans, hooded zip-up sweatshirt, and baseball hat.
I chose this basic getup because of its neutrality. These various garments cover me in solid, muted colors, in forms that suggest close to nothing about who I am, what I do for a living, what my interests are, or where I’m headed. One can’t tell if I’m off of work from some office job or if I dress like this all the time. One can’t tell if I support a local franchise, ascribe to a political ideology, have attained any particular level of education, enjoy any particular forms of entertainment, or earn any particular range of income (I could be broke and unemployed or just relaxing in my down time).
This developed, as so many choices do, from my experience in middle and high school, when standing out for any reason was to experience trauma. And I don’t mean standing out like a class clown or overtly quirky student. I mean being noticed at all, for any reason. If my hair was noticed, I was made fun of. If I was seen standing in some position or other, I was made fun of. If I was seen sitting in some other position, I was made fun of. If I was heard talking, expressing an opinion, or asking a question, I was made fun of. When taunted with questions meant to humiliate me, I was mocked for any answer I gave, and was equally mocked for staying silent.
If the brand of clothes I was wearing was recognized, I was made fun of for it. If the characters or public figures emblazoned on my T-shirts were recognized, I was made fun of for it. If I wore more expensive, “nicer” clothes, I was made fun of for it. If it was known that my clothes came from a store considered to be uncool, I was made fun of for it. If it was known I got my clothes from a store considered to be cool, that disconnect meant that I would be made fun of for it.
Like many other habits and precautions I built over that time, I adopted my neutral uniform to be as unnoticeable as possible. I didn’t like how my hair and my head looked, so I covered it with a hat. I didn’t like the shape of my body, so I curtained it with a hoodie.
Now in my 40s, I still prefer the relative anonymity that this basic uniform affords me. No longer quite as cowed by heartless teens (though, sadly, not immune to their eternal derision), this basic setup gives space for the kind of self-expression I feel comfortable with. Superman’s symbol adorns my hat. I have a veritable library of Avengers and Star Trek T-shirts. The hoodies, they have stayed plain, though I now have one in a rather bold red-rust color. The T-shirt/hoodie/hat combo is neutral enough to allow me to recede into the background while offering a basic canvas for those things that give me some joy. And even with this little extra information that these things broadcast to others, I remain largely physically obscured.
I also wear glasses to correct my vision, but I would probably choose to wear them anyway, as I have foresworn things like contact lenses and laser eye surgery. The frames of my spectacles add one extra half-layer to the overall veil. Take away the hat and hoodie, dress me in a shirt-and-tie, and you still won’t really see my true face, because my glasses will still be there.
And like the hoodie and the hat and the rest of it, the glasses help define the character. They are part of the mask I wear when I play the part of me to the rest of the world.
Speaking of masks, in the pandemic era we now have the growing normalization of the face mask. They’re an inconvenience, to be sure. They must not be touched once applied, and they must vigilantly be kept clean. They can make it slightly more difficult to breathe, and I assume they will be much more uncomfortable as the weather gets warmer. And of course, they fog up my glasses, and I have yet to master whatever arcane spells or incantations that prevent that from happening.
And yet, I still find myself — weirdly? perversely? — looking forward to donning one. I didn’t understand why, at first. But then I figured it out.
The face mask gives me one more layer of blessed obscurity. It prevents any scrutiny of my nose, mouth, or chin. They can’t see my crooked teeth, my overgrown stubble, my cheeks sagging with age. They can’t see me react to anything with a smile, smirk, or frown. All they can see are my eyes, which are already altered by glasses, and my ears.
And yes, when the temperature allows, I try to wear over-ear headphones, even when I have nothing playing in them.
Also, like T-shirts and hats, the mask offers a little space for a small bit of expression, should I choose to use it. My current mask was made lovingly by my auntie out of the same fabric she used to make my son’s first baby blanket. I love it.
The fact that face masks are also now part of a supremely stupid culture war, and for some serve as a kind of signal of political allegiance, is deeply disappointing to me. Beyond the obvious fact that the right-wing opposition to face masks and what they represent is astronomically asinine, selfish, portending of greater suffering, I’m irritated that their symbolism within this culture war means that they are no longer neutral.
I can feel it when I go on one of my rare jaunts to the supermarket. Those not wearing masks are clearly disdainful of those who are, and, at least as far as I’m concerned, the feeling is mutual.
The face mask is there, primarily, to protect others from me, in case I happen to be carrying the virus and don’t know it. Any protection it affords me is, as I understand it, minimal.
But I also valued the fact that while it helped stop me from unwittingly spreading any pathogens, it also stopped me from unwittingly telling anyone anything about who I am. It gave me one more step back from the eyes of the world. Now, the mask is like a flare, telling everyone in view that I am on one particular side of a conflict. And good lord do I hate that.
I very much hope our need for masks goes away as soon as possible. I also kind of wish that when the virus is gone, that the masks could stay. We are already so exposed. I’d prefer that my true face be something to be revealed only for a time, place, and person of my choosing.